When Did I Become a Fashion Robot?
When Did I Become a Fashion Robot?
For years I was the girl with the out-there look: a pre-Leandra man repeller who proudly delighted in her own sartorial weirdness. And then, something happened: I became basic. No, I became boring.
There's an old picture of myself of which I'm very fond. In it, I am a
towheaded seven year old, standing about 3'5" high, and wearing, I kid
you not, my brother's plaid boxers, a leotard I sheared into a crop top
that hits just below my ribcage, and sloppily laced, red, high top
Converse Chucks. I am at school. I look awesome.
My history with out-there personal styling is a long and colorful
one. Aside from my affinity for wearing boxers as pants, there was the
era of the Rhinestone Cowgirl As Envisioned by the von Trapp Family (see
below), my DIY dELiA*s decade, and the scarf-as-bandeau
college years (a time during which I also became a large proponent of
the "backlace," a necklace rotated backward so that it settled neatly
between the spaghetti straps of my C&C tank top). Not to mention the
fact that I designed my own Bat Mitzvah dress out of a swath of
midnight blue velvet, a yard of silver sequins, and some voile piping.
But somewhere along the line, it seems, I have lost my mix master
mojo. Perhaps it's the intimidation factor of working at a fashion
juggernaut like Hearst, which, in addition to ELLE, houses editors from Marie Claire, Harper's Bazaar, and Cosmopolitan
among other stylish titles. Every day when I step into the mirror-lined
elevators at my place of work, I pray for a Tommy Ton-esque ragamuffin
reflection—you know, layers that flap casually in the wind, JBF bedhead,
boots that don't reveal the telltale ankle scuffs of pronated knees—but
am instead met with some version of the same: jacket, black; jeans,
skinny; hair, sorta limp but pretty much decent; purse, black, large,
and heavy. Gone from my ensemble, it seems, are the unexpected dashes of
personality: a bright yellow Hermès 'Twilly' scarf I used to tie around
my wrist for fun; the unabashed tangle of H&M necklaces I was fond
of braiding into a rope; my penchant for layering party dresses over an
old beat up Calvin Klein T-shirt for daytime fun. Where, oh where, did
my panache go?
More than a fear of fashion failure, the dissolution of my daring
might have something to do with our current entertainment idols. Gone
are the days of Clarissa, Blossom, Punky B., and Patricia Field-invented
magpies such as Carrie Bradshaw (Sex and the City), Betty Suarez (Ugly Betty), and post-Runway makeover Andy Sachs (The Devil Wears Prada). Instead we're presented with no bullshit power babes like Olivia Pope (Scandal), Clare Underwood (House of Cards), and Selina Meyer (Veep). I truly doubt that Alicia Florrick ever wasted her time making a faux fur stole out of a bathmat. (True story. Deal with it.)
Thanks to a lethal combination of both external and internal
pressures, I became convinced that flourishes and pops of color were for
the weak-minded. When I shop, I began to ask myself a series of
questions: 'Would [ELLE.com
deputy editor] Ruthie Friedlander buy this?' (Ruthie has a knack for
picking up versatile basics, while the idea of actually buying a black
cashmere turtleneck all but depresses me); 'Will this go with a bunch of
things I already own or will it be the catalyst for additional
purchases?' And, my personal favorite, 'Will this make getting dressed
easier or more difficult?' I can't tell you how many items have slipped
under the radar—the feathered vest, the balloon-like silk pants, a
handful of capes—before I institutionalized that last edict. And yet,
for all of my carefulness and professional-level curating, I rarely
knock an outfit out of the park these days.
Could I have psyched myself out of having personal style?
"The amount of our time and energy that we can—or are willing to—put
into creativity and self expression, sartorial or otherwise, seems to
diminish as we get older," says Jenny Williams, whose blog, What My
Daughter Wore, was recognized byTime magazine as one of the best blogs of 2013, and whose book of the same name
went on sale yesterday. The premise of the site is cleverly simple:
Williams, a self-professed "Brooklyn Mom" draws pictures of the
whimsical, un-self conscious ensembles her school-age daughter and
friends put together. (She also drew the images in this story from
actual photographs from my own childhood. While they are not the most extreme examples of what I've actually worn, I hope they serve their purpose.)
Related: The Secret to Unforgettable Personal Style
"I think self consciousness and peer pressure definitely come into
it," she continues, and my mind immediately flashes back to that night, a
few years after college, when I wore a men's short-sleeve button down,
drop-crotch pants, and combat boots to meet some friends at The Frying
Pan. No sooner had I arrived than I over heard a friend telling a group
of boys, "She doesn't always dress like that." They laughed, and
so I did too. This, I now realize, was the first of many incidents that
subconsciously hedged in my sartorial creativity. Over the next several
years, I began to more carefully consider the environment I would be in
and how my styling choices would be perceived. 'Better safe than sorry'
somehow became my unlikely guiding principle. "If you're an adult, and a
sense of freedom and fun is something that you want to recapture, how
you dress is an easy and low-risk way to work some of that back into
your life," Williams assures me. "Wear a bright pink hat instead of a
black one. You can always take a hat off if you feel like you look
ridiculous in it."
I think the girl who invented the tutu-over-sweatpants look can handle a pink hat, amirite?
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